Kimerer L. LaMothe is a dancer, philosopher, playwright, and scholar of religion who lives on a farm in upstate New York with her life partner, Geoffrey Gee, one ox, two cows, four cats, nine hens, and three of their five children.

A pioneer in the field of religion and dance, Kimerer is the author of numerous articles, book chapters, and six books, including Why We Dance: A Philosophy of Bodily Becoming (Columbia University Press), as well as Nietzsche’s Dancers: Isadora Duncan, Martha Graham, and the Revaluation of Christian Values (Palgrave), Between Dancing and Writing: The Practice of Religious Studies (Fordham University Press)and her latest, A History of Theory and Method in the Study of Religion and Dance (Brill Research Perspectives, 2018). She regularly lectures, teaches, and consults on the subject of religion and dance, and writes a monthly blog called “What a Body Knows” for Psychology Today.

Since 2016, inspired by the Broadway hit Hamilton, Kimerer has been writing musicals. She wrote the book, lyrics, and music for a full-length original musical, Happy If Happy When, that premiered in July 2017, with music arranged and orchestrated by Geoffrey Gee. This musical, loosely based on her life, tells the story of two artists and their five children who pursue a dream of rural life, only to find out that the farm they buy has a mind of its own. The seven members of the LaMothe Gee family performed Happy If Happy When at its premiere, and then three times in New York City in 2018: as part of the Planet Connections Theatre Festivity (July), the New York New Works Theatre Festival (September), and in a limited run Off Off Broadway at the Gene Frankel Theatre, December 27-30. During the Planet Connections Festivity, Happy If was nominated for Most Outstanding Music and Lyrics. In the summer of 2019, The LaMothe Gee Family recorded a cast album containing 18 original songs, produced by Kimerer and Geoffrey, with support from RINA TEE Productions.

In 2019-2021, Kimerer wrote the book, lyrics, and melodies for her second musical — Nietzsche! The Musical — that appeared for the first time on stage in a public reading, August 21, 2021. More news coming soon!  www.nietzschethemusical.com 

As a dancer and choreographer, in addition to choreographing Happy If, Kimerer has created and performed three solo dance concerts: Genesis (2001, 2009), On Fire (2004), and The Ever-Unfolding Present (2016). For The Ever-Unfolding Present, Kimerer wrote a series of nine song-poems corresponding to the chapters of her book Why We Dance; and has since performed these song-poems at several conferences. With her family, she has written, directed, and performed in six variety-style concerts.

Kimerer earned a PhD in Religion from the Graduate School of Arts and Sciences at Harvard University; taught at Brown and Harvard Universities for six years; and has received fellowships for her work in dance and religion from the Radcliffe Institute for Advanced Study, the Center for the Study of World Religions, both of Harvard University, and the Lower Adirondack Regional Arts Council (LARAC).

For a list of her publications, please visit: Publications.

For more about Happy If Happy When — and links to the cast album — please visit: Happy If Happy When.

For her blog at Psychology Today, please visit: Blog.

For more about the farm with a mind of its own, please visit: Farm.

1 thought on “About

  1. Steve Schwartzman

    Regarding your words “the movements we make in our lives, day to day and moment to moment,” did you know that the word moment (Latin momentum) arose as a shortened version of the word movement (a presumed Latin movimentum)? So moment, momentum, and movement are all shades of the same word.

    I’m pleased to see a blog that is not only thoughtful but also literate.


Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s